Sunday, February 27, 2011

Isang Dipang Langit

Isang Dipang Langit

By : Amado V. Hernandez

 Ako'y ipiniit ng linsil na puno
hangad palibhasang diwa ko'y piitin,
katawang marupok, aniya'y pagsuko,
damdami'y supil na't mithiin ay supil.

Ikinulong ako sa kutang malupit:
bato, bakal, punlo, balasik ng bantay;
lubos na tiwalag sa buong daigdig
at inaring kahit buhay man ay patay.

Sa munting dungawan, tanging abot-malas
ay sandipang langit na puno ng luha,
maramot na birang ng pusong may sugat,
watawat ng aking pagkapariwara.

Sintalim ng kidlat ang mata ng tanod,
sa pintong may susi't walang makalapit;
sigaw ng bilanggo sa katabing moog,
anaki'y atungal ng hayop sa yungib.

Ang maghapo'y tila isang tanikala
na kala-kaladkad ng paang madugo
ang buong magdamag ay kulambong luksa
ng kabaong waring lungga ng bilanggo.

Kung minsa'y magdaan ang payak na yabag,
kawil ng kadena ang kumakalanding;
sa maputlang araw saglit ibibilad,
sanlibong aninong iniluwa ng dilim.

Kung minsan, ang gabi'y biglang magulantang
sa hudyat - may takas! - at asod ng punlo;
kung minsa'y tumangis ang lumang batingaw,
sa bitayang moog, may naghihingalo.

At ito ang tanging daigdig ko ngayon -
bilangguang mandi'y libingan ng buhay;
sampu, dalawampu, at lahat ng taon
ng buong buhay ko'y dito mapipigtal.

Nguni't yaring diwa'y walang takot-hirap
at batis pa rin itong aking puso:
piita'y bahagi ng pakikilamas,
mapiit ay tanda ng di pagsuko.

Ang tao't Bathala ay di natutulog
at di habang araw ang api ay api,
tanang paniniil ay may pagtutuos,
habang may Bastilya'y may bayang gaganti.

At bukas, diyan din, aking matatanaw
sa sandipang langit na wala nang luha,
sisikat ang gintong araw ng tagumpay...
layang sasalubong ako sa paglaya!

Indarapatra and Sulayman

Indarapatra and Sulayman

A long, long time ago, Minadanao waa covered with water, and the sea cover all the
lowlands so that nothing could be seen but the mountains jutting from it. There were many people
living in the country and all the highlands were dotted with villages and settlements. For many years
the people prospered, living in peace and contentment. Suddenly there appeared in the land four
horrible monsters which, in short time has devoured every human being they could find.
Kurita, a terrible creature with many limbs, lived partly on the land and partly on sea, but its favorite
haunt was the mountain where the rattan palm grew; and here it brought utter destruction on every
living thing. The second monster, Tarabusaw, an ugly creature in the form of a man, lived on Mt.
Matutum, and far and wide from that place he devoured the people, laying waste the land. The third,
an enormous bird called Pah, was so large that, when on the wing, it covered the sun and brought
darkness to the earth. Its egg was as large as a house. Mt. Bita was its haunt; and there the only
people who escaped its voracity were those whi hid in the mountain caves. The fourth monster was
also a dreadful bird, having seven heads and the power to see in all directions at the same time. Mt.
Gurayan was its home and like the others, it wrought havoc to its region.
So great was the death and destruction caused by these terrible creatures that at length, the news
spread even to the most distant lands - and all nations grieved to hear the sad fate of Mindanao.
Now far across the sea, in the land of the golden sunset, was a city so great that to look at its many
people would injure the eyes of men. When tidings of these great disasters reached this distant city,
the heart of King Indarapatra was filled with compassion, and he called his brother, Sulayman, and
begged hem to save the land of Mindanao from the monsters.
Sulayman listened to the story and as heard it, was moved with pity. "I will go", zeal and enthusiasm
adding to his strenght, "and the land shall be avenged," said he.
King Indarapatra, proud of his brother's courage, gave him a ring and a sword as he wished him
success and safety. Then he placed a young sapling by his window and said to Sulayman "By this
tree I shall know your fate from the hour you depart from here, for if you live, it will live; but if you
die, it will die also."
So Sulayman departed for Mindanao, and he neither waded nor used a boat, but went through the air
and landed on the mountain where the rattan grew. There he stood on the summit and gazed about
on all sides. He looked on the land and the villages, but he could see no living thing. And he was
very sorrowful and cried out: "Alas, how pitiful and dreadful is this devastation."
No sooner had Sulayman uttered those words than thw whole mountain began to move and then
shook. Suddenly out of the ground came the horrible creature Kurita. It sprng at the man and sank
its claws at his flesh. But Sulayman knowing at once that this was the scourage of the land, drew his
sword and cut Kurita to pieces.
Encourage by his first success, Sulayman went on to Mt. Matutum, where conditions were even
worse. As he stood on the heights viewing the great devastation, there was a noise in the forest and
a movement in the trees. With a loud yell, Tarabusaw forth leaped. For the moment they looked at
each other, neither showing any sign of fear. Then Tarabusaw used all his powers to try to devour
Sulayman, who fought back. For a long time, the battle continued, until at last, the monster fell
exhausted to the ground and Sulayman killed him with his sword.
The nest place visited by Sulayman was Mt. Bita. Here havoc was present everywhere, and though
he passed by many homes, he saw that not a single soul was left. As he walked, sudden darkness
fell over the land, startling him. As he looked toward the sky he beheaded a great bird that swooped
upon him. Immediately he struck, and the bird fell dead at his feet; but the wing fell on Sulayman and
he was crushed.
Now at this very time King Indarapatra was sitting at his window, and looking out he saw the little
tree witcher and dry up.
"Alas!" he cried, "my brother is dead" and he wept bitterly.
Then although he was very sad, he was filled with a desire for revenge. Putting on his sword and
belt, he started for Mindanao, in search for his brother.
He, too, traveled through the air with great speed until he came to the mountain where the rattan
grew. There he looked about, awed at the great destruction, and when she saw the bones of Kurita.

He knew that his brother had been there. He went on till he came to Matutum, and when
he saw the bones of Tarabusaw, he knew that this, too, was the work of Sulayman.
Still searching for his brother, he arrived at Mt. Bita, where the dead bird lay on the ground, and
when he lifted the severed wing he beheld the bones of Sulayman with his sword biy his side. His
grief now so overwhelmed Indarapatra that he wept for some time. Upon looking up, he beheld a
small jar of water by his side. This, he knew had been sent from the heaven, and he poured the water
over the bones, and Sulayman, came to life again. They greeted each other and talked animatedly for
great length of time. Sulayman declared that he had not been dead but asleep, and their hearts were
full of joy.
After some time Sulayman returned his distant home, but Indarapatra continued his journey to Mt.
Gurayan where killed the dreadful bird with the seven heads. After these monsters had all been
killed, peace and safety had been restored to the land: Indarapatra began searching everywhere to
see if some of the people who hid in the earth were still alive.
One day, in the course of his search, he caugth sight of a beautiful woman at a distance. When he
hastened toward her she disappeared through a hole in the ground where she stood. Disappointed
and tried, he sat down on a rock to rest when, looking about, he saw near him a pot uncooked rice
with a big fire on the ground in front of it. This revived him and he proceeded to cook the rice. As he
did so, however, he heared someone laugh near by, and turning he beheld an old woman watching
him. As he greeted her, she drew near and talked to him while he ate the rice.
Of all the people in the land, the woman told him, only few were left, and they hid in a cave in the
ground from whence they never ventured to come out. As for herself and her old husband, she went
on, they had hidden in a hollow tree, and this they had never dared to leave until Sulayman killed the
voracious bird Pah.
At Indarapatra's request, the old woman led him to one such cave. There he met the headmen with
his family and some people. They all gathered about the stranger, asking many questions, for this
was the first time they had heard about the death of the monsters. When they found out what
Indarapatra had done for them, the headman gave his daughter to him in marriage, and she proved
to be beauiful girl whom Indarapatra had seen at the mouth of the cave.
Then the people all came out of their hiding places and returned to their homes where they lived in
peace and happiness. And the sea withdrew from the land and gave the lowlands to the people.

The Happy Hoi Polloi by: Kerima Polotan Tuvera

The Happy Hoi Polloi:
“In the Luneta, all colors blend ‚ the brown and the white and yellow of people; the green and blue and red of shrubs. Towards the sea, the great sward stretches, and the globes of light hang like huge pearls, are caught in the waters of the lake. People flow by, stop and eddy, break and whirl again. Across the pond, a band plays; a balloon breaks loose from some child’s grasp and floats towards an early star. Here, the land lies flat and green, broken only by stone; there, it rises in a series of small hills that hide the curving tips of a pagoda. The doves come, cooing and beating their wings around a man, dressed in a tiger’s suit, and giving away candy. The lovers try not to be conspicuous. A family spreads the contents of a bag — kropeck, juice, biscuits. One mother lies on a mat, unashamedly nursing her baby. On other mats, men and their wives, kicking their heels at the sky. The park guards  watch when they can but soon grow weary and give up. The sky is like a canvas washed clean, gray along the edges, and you think, looking over the heads around you, how distant the heat of living is — tonight’s dishes, tomorrow’s bundy clock. Joy is a fitful moment, but better that than nothing.”

Ang Langgam at Tipaklong

Ang Langgam at Tipaklong

Isang araw ng tag-init sa may parang, lumulukso- lukso ang isang tipaklong. Humuhuni at umaawit ito hangga't ibig niya. Naparaan ang langgam, pasan-pasan nang buong pagsisikap ang isang butil ng mais na dadalhin niya tungo sa kanyang pugad.

"Bakit hindi lumapit at makipag-usap sa akin," wika ng tipaklong, "sa halip na magpakapagod at magpakadungis sa ganyang paraan?"

"Lumutulong ako sa pag-iimbak ng pagkain sa darating na taglamig," sagot ng langgam, "at iminumungkahi ko na gawin mo rin ito."

"Bakit pa mag-aabala sa taglamig?" sabi ng tipaklong, "kay dami ng pagkain sa ngayon." Ngunit tumungo nang muli at nagpatuloy sa pagpapakapagod. Nang dumating na ang taglamig, walang makain ang tipaklong at ngayon ay naghihingalo sa gutom, samantalang nakikitang ang mga langgam ay nagsasalo-salo sa pagkaing inipon nila araw-araw noong tag-init pa lang. Nito nga'y natuto ang tipaklong: Mainam na maghanda ng kakailanganin sa darating na mga araw.

How the Angels Built Lake Lanao

How the Angels Built Lake Lanao



Long ago there was no lake in Lanao.  On the place where it is now situated, there flourished a mighty sultanate called Mantapoli.  During the reign of Sultan Abdara Radawi, the greater grandfather of Radia Indarapatra (mythological hero of the Lanao Muslims), this realm expanded by military conquests and by dynastic marriages so that in time its fame spread far and wide.
The population of Mantapoli was numerous and fast increasing.  At that time the world was divided into two regions: Sebangan (East) and Sedpan (West).   The mighty sultanate of Mantapoli belonged to Sebangan.  Because this sultanate rapidly increased in power and population as well, the equilibrium between Sebangan and Sedpan was broken.
This dis-equilibrium soon came to the attention of Archangel Diabarail (Gabriel to the Christians).  Like a flash of sunlight, Diabarail flew to the Eighth heaven and told Allah, "My Lord, why have you permitted the unbalance of the earth?   Because of the power of Mantapoli, Sebangan is now larger than Sedpan."
"Why, Diabarail," replied the Sohara (Voice of Allah), "what is wrong with that?"
"My Lord, Mantapoli has a vast population countless as the particles of dust.  If we will allow this sultanate to remain in Sebangan, I fear that the world would turn upside down, since Sebangan is heavier than Sedpan."
"Your words show great wisdom, Diabarail," commented the Sohara.
"What must we do, my Lord, to avert the impending catastrophe?"
To this query, the Sohara replied, "Go right away to the Seven-Regions-Beneath-the-Earth and to the Seven-Regions-in-the-Sky and gather all the angels.  I will cause a barahana (solar eclipse) and in the darkness let the angels remove Mantapoli and transfer it to the center of the earth."
Upon receiving the mandate of Allah, Archangel Diabarail, traveling faster than lightning, rallied the millions of angels from the Seven-Regions-Beneath-the-Earth and the Seven-Regions-in-the-Sky.  With this formidable army, he presented himself to Allah, saying, "My Lord, we are ready to obey Your command."
The Sohara spoke, "Go to Sebangan, and lift the land of Mantapoli."
Diabarail, leading his army of angels, flew to the east.  In the twinkle of an eye, the sun vanished and a terrible darkness as black as the blackest velvet shrouded the universe.  The angels sped faster than arrows.  They swooped on Mantapoli, lifting it with great care and carried it (including its people, houses, crops and animals) through the air as if it were a carpet.  They brought it down at the center of the earth, in accordance with the command of Allah.  The very spot vacated by the sultanate of Mantapoli became a huge basin of deep, blue water-the present Lanao Lake.
The waters coming from the deep bowels of the earth rose higher and higher.  Archangel Diabarail, seeing the rising tides immediately returned to the Eighth Heaven and reported to Allah, "My Lord, the earth is now balanced.  But the place where we removed Mantapoli is becoming an ocean.  The waters are rising fast, and unless an outlet for them can be found, I fear that they might inundate Sebangan and drown all Your people."
In response, the Sohara said, "You are right, Diabarail.  Go out, then, and summon the Four Winds of the World: Angin Taupan, Angin Besar, Angin Darat, and Angin Sarsar.  Tell them to blow and make an outlet for the overflowing waters."
Obeying the Master's command, the faithful messenger summoned the Four Winds.  "By the Will of Allah," he told them, "blow your best, and make an outlet for the rising waters of the new lake."
The four winds of the world blew, and a turbulence swept the whole eastern half of the earth.  The surging waters rolled swiftly towards the shores of Tilok Bay to the southeastern direction.  But the towering ranges impeded their onrush.   The Four Winds blew, hurling the waves against the rocky slopes but in vain; no outlet could be cut through the mountain barrier.
Changing direction, this time eastward, the Four Winds blew harder driving the raging waters towards the shores of Sugud Bay (situated east of Dansalan, now Marawi City).  Once again, the attempt to create an outlet failed because the bay was too far from the sea.
For the third time, the Four Winds changed direction and blew their hardest.  The waves, plunging with ferocity, rolled towards Marawi.  Day and night, the Winds blew as the waters lashed against the shoreline of Marawi.  This time the attempt succeeded.  An outlet now called Agus River was made, and through the outlet, that water of Lake Lanao poured out to the sea, thereby saving Sebangan from a deluge.
It came to past that there was a high cliff at the outlet, and over the cliff the waters cascaded in majestic volume.  Thus, arose the beautiful falls which, aeons later, was named Maria Cristina, after a famous queen of Spain.

♦♦♦...Katapusang Hibik Ng Pilipinas Andres Bonifacio Spanish Period...♦♦♦

Katapusang Hibik ng Pilipinas (Andres Bonifacio)


Katapusang Hibik Ng Pilipinas
Andres Bonifacio
Spanish Period

Sumikat na Ina sa sinisilangan
ang araw ng poot ng Katagalugan,
tatlong daang taong aming iningatan
sa dagat ng dusa ng karalitaan.

Walang isinuhay kaming iyong anak
sa bagyong masasal ng dalita't hirap;
iisa ang puso nitong Pilipinas
at ikaw ay di na Ina naming lahat.

Sa kapuwa Ina'y wala kang kaparis...
ang layaw ng anak: dalita't pasakit;
pag nagpatirapang sa iyo'y humibik,
lunas na gamot mo ay kasakit-sakit.

Gapusing mahigpit ang mga Tagalog,
hinain sa sikad, kulata at suntok,
makinahi't biting parang isang hayop;
ito baga, Ina, ang iyong pag-irog?

Ipabilanggo mo't sa dagat itapon;
barilin, lasunin, nang kami'y malipol.
Sa aming Tagalog, ito baga'y hatol
Inang mahabagin, sa lahat ng kampon?

Aming tinitiis hanggang sa mamatay;
bangkay nang mistula'y ayaw pang tigilan,
kaya kung ihulog sa mga libingan,
linsad na ang buto't lumuray ang laman.

Wala nang namamana itong Pilipinas
na layaw sa Ina kundi pawang hirap;
tiis ay pasulong, patente'y nagkalat,
rekargo't impuwesto'y nagsala-salabat.

Sarisaring silo sa ami'y inisip,
kasabay ng utos na tuparing pilit,
may sa alumbrado---kaya kaming tikis,
kahit isang ilaw ay walang masilip.

Ang lupa at buhay na tinatahanan,
bukid at tubigang kalawak-lawakan,
at gayon din pati ng mga halaman,
sa paring Kastila ay binubuwisan.

Bukod pa sa rito'y ang mga iba pa,
huwag nang saysayin, O Inang Espanya,
sunod kaming lahat hanggang may hininga,
Tagalog di'y siyang minamasama pa.

Ikaw nga, O Inang pabaya't sukaban,
kami'y di na iyo saan man humanggan,
ihanda mo, Ina, ang paglilibingan
sa mawawakawak na maraming bangkay.

Sa sangmaliwanag ngayon ay sasabog
ang barila't kanyong katulad ay kulog,
ang sigwang masasal sa dugong aagos
ng kanilang bala na magpapamook.

Di na kailangan sa iyo ng awa
ng mga Tagalog, O Inang kuhila,
paraiso namin ang kami'y mapuksa,
langit mo naman ang kami'y madusta.

Paalam na Ina, itong Pilipinas,
paalam na Ina, itong nasa hirap,
paalam, paalam, Inang walang habag,
paalam na ngayon, katapusang tawag.

♦♦♦...Valediction sa hill crest..♦♦♦

Valediction sa hill crest

Pagkacollect ng Railway Express sa aking things
(Deretso na iyon sa barko while I take the plane.)
Inakyat kong muli ang N-311, at dahil dead of winter,
Nakatopcoat at galoshes akong
Nagright-turn sa N wing ng mahabang dilim
(Tunnel yatang aabot hanggang Tundo.)
Kinapa ko ang switch sa hall.
Sa isang pitik, nagshrink ang imaginary tunnel,
Nagparang ataol.
Or catacomb.
Strangely absolute ang impression
Ng hilera ng mga pintong nagpuprusisyon:
Individual identification, parang mummy cases,
De-nameplate, de-numero, de-hometown address.
Antiseptic ang atmosphere, streamlined yet.
Kung hindi catacomb, at least
E filing cabinet.
Filing, hindi naman deaths, ha.
Remembrances, oo. Yung medyo malapot
Dahil alam mo na, I’m quitting the place
After two and a half years.
After two and a half years,
Di man nagkatiyempong mag-ugat, ika nga,
Siyempre’y nagging attached, parang morning glory’ng
Mahirap mapaknit sa alambreng trellis.
At pagkabukas ko sa kuwarto,
Hubo’t hubad na ang mattresses,
Wala nang kutson sa easy chair,
Mga drawer ng bureau’y nakanganga,
Sabay-sabay nag-ooration,
Nagkahiyaan, nabara.
Of course, tuloy ang radiator sa paggaralgal:
Nasa New York na si Bob and the two Allans,
Yung mga quarterbacks across the hall
Pihadong panay ang display sa Des Moines.
Don ang Cosntance aren’t coming back at all.
Gusto ko nang magpaalam–
to whom?
The drapes? The washbowl? Sa double-decker
Na pinaikot-ikot naming ni Kandaswamy
To create space, hopeless, talagang impossible.
Of course, tuloy ang radiator sa paglagutok.
(And the stone silence,
nakakaiyak kung sumagot.)
Bueno, let’s get it over with.
It’s a long walk to the depot.
Tama na ang sophistication-sophistication.
Sa steep incline, pababa sa highway
Where all things level, sabi nga,
There’s a flurry, ang gentle-gentle.
Pagwhoosh-whoosh ng paa ko,
The snow melts right under:
Nagtutubig parang asukal,
Humuhulas,
nagsesentimental.
-Rolando Tinio

..Another work of Jose viLLa..

Another work of Jose viLLa

 Footnote to Youth  bY: Jose Garcia Villa

The sun was salmon and hazy in the west. Dodong thought to himself he would tell his father about Teang when he got home, after he had unhitched the carabao from the plow, and let it to its shed and fed it. He was hesitant about saying it, but he wanted his father to know. What he had to say was of serious import as it would mark a climacteric in his life. Dodong finally decided to tell it, at a thought came to him his father might refuse to consider it. His father was silent hard-working farmer who chewed areca nut, which he had learned to do from his mother, Dodong's grandmother.

I will tell it to him. I will tell it to him.

The ground was broken up into many fresh wounds and fragrant with a sweetish earthy smell. Many slender soft worms emerged from the furrows and then burrowed again deeper into the soil. A short colorless worm marched blindly to Dodong's foot and crawled calmly over it. Dodong go tickled and jerked his foot, flinging the worm into the air. Dodong did not bother to look where it fell, but thought of his age, seventeen, and he said to himself he was not young any more.

Dodong unhitched the carabao leisurely and gave it a healthy tap on the hip. The beast turned its head to look at him with dumb faithful eyes. Dodong gave it a slight push and the animal walked alongside him to its shed. He placed bundles of grass before it land the carabao began to eat. Dodong looked at it without interests.

Dodong started homeward, thinking how he would break his news to his father. He wanted to marry, Dodong did. He was seventeen, he had pimples on his face, the down on his upper lip already was dark--these meant he was no longer a boy. He was growing into a man--he was a man. Dodong felt insolent and big at the thought of it although he was by nature low in statue. Thinking himself a man grown, Dodong felt he could do anything.

He walked faster, prodded by the thought of his virility. A small angled stone bled his foot, but he dismissed it cursorily. He lifted his leg and looked at the hurt toe and then went on walking. In the cool sundown he thought wild you dreams of himself and Teang. Teang, his girl. She had a small brown face and small black eyes and straight glossy hair. How desirable she was to him. She made him dream even during the day.

Dodong tensed with desire and looked at the muscles of his arms. Dirty. This field
work was healthy, invigorating but it begrimed you, smudged you terribly. He turned back the way he had come, then he marched obliquely to a creek.

Dodong stripped himself and laid his clothes, a gray undershirt and red kundiman shorts, on the grass. The he went into the water, wet his body over, and rubbed at it vigorously. He was not long in bathing, then he marched homeward again. The bath made him feel cool.

It was dusk when he reached home. The petroleum lamp on the ceiling already was lighted and the low unvarnished square table was set for supper. His parents and he sat down on the floor around the table to eat. They had fried fresh-water fish, rice, bananas, and caked sugar.

Dodong ate fish and rice, but did not partake of the fruit. The bananas were overripe and when one held them they felt more fluid than solid. Dodong broke off a piece of the cakes sugar, dipped it in his glass of water and ate it. He got another piece and wanted some more, but he thought of leaving the remainder for his parents.

Dodong's mother removed the dishes when they were through and went out to the batalan to wash them. She walked with slow careful steps and Dodong wanted to help her carry the dishes out, but he was tired and now felt lazy. He wished as he looked at her that he had a sister who could help his mother in the housework. He pitied her, doing all the housework alone.

His father remained in the room, sucking a diseased tooth. It was paining him again, Dodong knew. Dodong had told him often and again to let the town dentist pull it out, but he was afraid, his father was. He did not tell that to Dodong, but Dodong guessed it. Afterward Dodong himself thought that if he had a decayed tooth he would be afraid to go to the dentist; he would not be any bolder than his father.

Dodong said while his mother was out that he was going to marry Teang. There it was out, what he had to say, and over which he had done so much thinking. He had said it without any effort at all and without self-consciousness. Dodong felt relieved and looked at his father expectantly. A decrescent moon outside shed its feeble light into the window, graying the still black temples of his father. His father looked old now.

"I am going to marry Teang," Dodong said.

His father looked at him silently and stopped sucking the broken tooth. The silence became intense and cruel, and Dodong wished his father would suck that troublous tooth again. Dodong was uncomfortable and then became angry because his father kept looking at him without uttering anything.

"I will marry Teang," Dodong repeated. "I will marry Teang."

His father kept gazing at him in inflexible silence and Dodong fidgeted on his seat.

"I asked her last night to marry me and she said...yes. I want your permission. I... want... it...." There was impatient clamor in his voice, an exacting protest at this coldness, this indifference. Dodong looked at his father sourly. He cracked his knuckles one by one, and the little sounds it made broke dully the night stillness.

"Must you marry, Dodong?"

Dodong resented his father's questions; his father himself had married. Dodong made a quick impassioned easy in his mind about selfishness, but later he got confused.

"You are very young, Dodong."

"I'm... seventeen."

"That's very young to get married at."

"I... I want to marry...Teang's a good girl."

"Tell your mother," his father said.

"You tell her, tatay."

"Dodong, you tell your inay."

"You tell her."

"All right, Dodong."

"You will let me marry Teang?"

"Son, if that is your wish... of course..." There was a strange helpless light in his father's eyes. Dodong did not read it, so absorbed was he in himself.

Dodong was immensely glad he had asserted himself. He lost his resentment for his father. For a while he even felt sorry for him about the diseased tooth. Then he confined his mind to dreaming of Teang and himself. Sweet young dream....

-------------------------------------------

Dodong stood in the sweltering noon heat, sweating profusely, so that his camiseta was damp. He was still as a tree and his thoughts were confused. His mother had told him not to leave the house, but he had left. He had wanted to get out of it without clear reason at all. He was afraid, he felt. Afraid of the house. It had seemed to cage him, to compares his thoughts with severe tyranny. Afraid also of Teang. Teang was giving birth in the house; she gave screams that chilled his blood. He did not want her to scream like that, he seemed to be rebuking him. He began to wonder madly if the process of childbirth was really painful. Some women, when they gave birth, did not cry.

In a few moments he would be a father. "Father, father," he whispered the word with awe, with strangeness. He was young, he realized now, contradicting himself of nine months comfortable... "Your son," people would soon be telling him. "Your son, Dodong."

Dodong felt tired standing. He sat down on a saw-horse with his feet close together. He looked at his callused toes. Suppose he had ten children... What made him think that? What was the matter with him? God!

He heard his mother's voice from the house:

"Come up, Dodong. It is over."

Suddenly he felt terribly embarrassed as he looked at her. Somehow he was ashamed to his mother of his youthful paternity. It made him feel guilty, as if he had taken something no properly his. He dropped his eyes and pretended to dust dirt off his kundiman shorts.

"Dodong," his mother called again. "Dodong."

He turned to look again and this time saw his father beside his mother.

"It is a boy," his father said. He beckoned Dodong to come up.

Dodong felt more embarrassed and did not move. What a moment for him. His parents' eyes seemed to pierce him through and he felt limp.

He wanted to hide from them, to run away.

"Dodong, you come up. You come up," he mother said.

Dodong did not want to come up and stayed in the sun.

"Dodong. Dodong."

"I'll... come up."

Dodong traced tremulous steps on the dry parched yard. He ascended the bamboo steps slowly. His heart pounded mercilessly in him. Within, he avoided his parents eyes. He walked ahead of them so that they should not see his face. He felt guilty and untrue. He felt like crying. His eyes smarted and his chest wanted to burst. He wanted to turn back, to go back to the yard. He wanted somebody to punish him.

His father thrust his hand in his and gripped it gently.

"Son," his father said.

And his mother: "Dodong..."

How kind were their voices. They flowed into him, making him strong.

"Teang?" Dodong said.

"She's sleeping. But you go on..."

His father led him into the small sawali room. Dodong saw Teang, his girl-wife, asleep on the papag with her black hair soft around her face. He did not want her to look that pale.

Dodong wanted to touch her, to push away that stray wisp of hair that touched her lips, but again that feeling of embarrassment came over him and before his parents he did not want to be demonstrative.

The hilot was wrapping the child, Dodong heard it cry. The thin voice pierced him queerly. He could not control the swelling of happiness in him.

“You give him to me. You give him to me," Dodong said.

-------------------------------------------

Blas was not Dodong's only child. Many more children came. For six successive years a new child came along. Dodong did not want any more children, but they came. It seemed the coming of children could not be helped. Dodong got angry with himself sometimes.

Teang did not complain, but the bearing of children told on her. She was shapeless and thin now, even if she was young. There was interminable work to be done. Cooking. Laundering. The house. The children. She cried sometimes, wishing she had not married. She did not tell Dodong this, not wishing him to dislike her. Yet she wished she had not married. Not even Dodong, whom she loved. There has been another suitor, Lucio, older than Dodong by nine years, and that was why she had chosen Dodong. Young Dodong. Seventeen. Lucio had married another after her marriage to Dodong, but he was childless until now. She wondered if she had married Lucio, would she have borne him children. Maybe not, either. That was a better lot. But she loved Dodong...

Dodong whom life had made ugly.

One night, as he lay beside his wife, he rose and went out of the house. He stood in the moonlight, tired and querulous. He wanted to ask questions and somebody to answer him. He w anted to be wise about many things.

One of them was why life did not fulfill all of Youth's dreams. Why it must be so. Why one was forsaken... after Love.

Dodong would not find the answer. Maybe the question was not to be answered. It must be so to make youth Youth. Youth must be dreamfully sweet. Dreamfully sweet. Dodong returned to the house humiliated by himself. He had wanted to know a little wisdom but was denied it.

When Blas was eighteen he came home one night very flustered and happy. It was late at night and Teang and the other children were asleep. Dodong heard Blas's steps, for he could not sleep well of nights. He watched Blas undress in the dark and lie down softly. Blas was restless on his mat and could not sleep. Dodong called him name and asked why he did not sleep. Blas said he could not sleep.

"You better go to sleep. It is late," Dodong said.

Blas raised himself on his elbow and muttered something in a low fluttering voice.

Dodong did not answer and tried to sleep.

"Itay ...," Blas called softly.

Dodong stirred and asked him what it was.

"I am going to marry Tona. She accepted me tonight."

Dodong lay on the red pillow without moving.

"Itay, you think it over."

Dodong lay silent.

"I love Tona and... I want her."

Dodong rose from his mat and told Blas to follow him. They descended to the yard, where everything was still and quiet. The moonlight was cold and white.

"You want to marry Tona," Dodong said. He did not want Blas to marry yet. Blas was very young. The life that would follow marriage would be hard...

"Yes."

"Must you marry?"

Blas's voice stilled with resentment. "I will marry Tona."

Dodong kept silent, hurt.

"You have objections, Itay?" Blas asked acridly.

"Son... n-none..." (But truly, God, I don't want Blas to marry yet... not yet. I don't want Blas to marry yet....)

But he was helpless. He could not do anything. Youth must triumph... now. Love must triumph... now. Afterwards... it will be life.

As long ago Youth and Love did triumph for Dodong... and then Life.

Dodong looked wistfully at his young son in the moonlight. He felt extremely sad and sorry for him.

...MAYNILA,PAGKAGAT NG DILIM...

MAYNILA,PAGKAGAT NG DILIM



Ang May Akda

My Photo


Ang pagsinop sa mga natatanging pelikula ng Dekada '70 at '80 ay isang paghabi sa kasaysayang pampelikula ng ating panahon. Ang proseso ng pagsusulat at pagbabalik-tanaw ay paghahain ng mga makabagong metodo para hubugin ang isang makapagbagong histriyograpiya ng Pelikulang Pilipino.
Bakit itinuturing na isa sa mga pinagpipitagang pelikula ni Direktor Ishmael Bernal ang Manila By Night (Regal Films, Inc.)? Ating balikan ang pelikulang umani ng papuri mula sa mga kritiko noong taong 1980. Kilala si Bernal sa paggawa ng mga pelikulang puno ng iba't-ibang pangunahing tauhan. Tahasang isinaad sa pelikula ang suliraning pang lipunan sa kalakhang Maynila. Mula sa isang simpleng tinedyer (William Martinez) na anak ng dating iba na nagbagong buhay (Charito Solis) hanggang sa isang tomboy na drug pusher (Cherie Gil), may bulag na masahista (Rio Locsin), nariyan din ang taxi driver (Orestes Ojeda), ang kabit niyang nagkukunwaring nars (Alma Moreno), mayroon ring probinsyanang waitress (Lorna Tolentino) at ang baklang couturier (Bernardo Bernardo) na bumubuhay sa kanyang pamilya. Iba't-ibang buhay ng mga taong pinagbuklod ng isang malaking siyudad. Tinalakay ng pelikula ang problema sa droga, prostitusyon, relihiyon at kahirapan na magpasahanggang ngayon ay mga suliraning hinahanapan pa rin natin ng solusyon. Maraming nagkumpara ng Manila By Night sa obra ni Direktor Lino Brocka ang Maynila Sa Mga Kuko Ng Liwanag. Kung saan nagkulang ang pelikula ni Brocka ito naman ang landas na tinahak ng obra ni Bernal. Hindi lamang nito ipinakita ang lumalalang situwasyon ng kahirapan sa Maynila sa halip ay hinarap nito ang ibang mga isyung hindi tinalakay sa pelikula ni Brocka. Sa aspetong ito mababanaag ang malaking pagkakaiba ng dalawang pelikula. Kung panonoorin sa ngayon ang Manila By Night masasabing may kalumaan na ang tema nito, di tulad ng unang ipinalabas ang pelikula sa mga sinehan.

Makaraan ang dalawampu't anim na taon mula ng ipalabas ang Manila By Night ay masasabing halos walang binago ang panahon kung susuriin natin ang mga suliraning pang lipunan ng Pilipinas. Nariyan pa rin ang problema sa mga ipinagbabawal na gamot, ang prostitusyon at kahirapan. Sino ba talaga ang dapat sisishin sa lahat ng mga ito? Ang pamahalaan ba? Tayong mga mamayan? Hanggang ngayon wala pang sagot sa mga tanong na ito. Nararapat nating pasalamatan ang mga direktor na tulad ni Ishmael Bernal na sa pamamagitan ng paggawa ng mga obrang tulad ng Manila By Night, isang pelikulang nagmulat sa ating kaisipan sa suliranin ng bansang Pilipinas.

Dulang Pampelikula At Direksyon: Ishmael Bernal
Sinematograpiya: Sergio Lobo
Musika: The Vanishing Tribe
Editing: Augusto Salvador
Disenyong Pamproduksyon: Peque Gallaga
Prodyuser: Regal Films, Inc

...THE BOY WHO BECAME A STONE...

THE BOY WHO BECAME A STONE


Tinguian

One day a little boy named Elonen sat out in the yard making a bird snare, and as he worked, a little bird called to him: "Tik-tik-lo-den" (come and catch me).
"I am making a snare for you," said the boy; but the bird continued to call until the snare was finished.
Then Elonen ran and threw the snare over the bird and caught it, and he put it in a jar in his house while he went with the other boys to swim.
While he was away, his grandmother grew hungry, so she ate the bird, and when Elonen returned and found that his bird was gone, he was so sad that he wished he might go away and never come back. He went out into the forest and walked a long distance, until finally he came to a big stone and said: "Stone, open your mouth and eat me." And the stone opened its mouth and swallowed the boy.
When his grandmother missed the boy, she went out and looked everywhere, hoping to find him. Finally she passed near the stone and it cried out, "Here he is." Then the old woman tried to open the stone but she could not, so she called the horses to come and help her. They came and kicked it, but it would not break. Then she called the carabao and they hooked it, but they only broke their horns. She called the chickens, which pecked it, and the thunder, which shook it, but nothing could open it, and she had to go home without the boy.

♥♥♥MORNING IN NAGREBCAN♥♥♥

MORNING IN NAGREBCAN

It was sunrise at Nagrebcan. The fine, bluish mist, low over the tobacco fields, was lifting and thinning moment by moment. A ragged strip of mist, pulled away by the morning breeze, had caught on the clumps of bamboo along the banks of the stream that flowed to one side of the barrio. Before long the sun would top the Katayaghan hills, but as yet no people were around. In the grey shadow of the hills, the barrio was gradually awaking. Roosters crowed and strutted on the ground while hens hesitated on theri perches among the branches of the camanchile trees. Stray goats nibbled the weeds on the sides of the road, and the bull carabaos tugged restively against their stakes.
            In the early mornig the puppies lay curled up together between their mother’s paws under the ladder of the house. Four puupies were all white like the mother. They had pink noses and pink eyelids and pink mouths. The skin between their toes and on the inside of their large, limp ears was pink. They had short sleek hair, for the mother licked them often. The fifth puppy lay across the mother’s neck. On the puppy’s back was a big black spot like a saddle. The tips of its ears were black and so was a pitch of hair on its chest.
            The opening of the sawali door, its uneven bottom dragging noisily against the bamboo flooring, aroused the mother dog and she got up and stretched and shook herself, scattering dust and loose white hair. A rank doggy smell rose in the cool morning air. She took a quick leap forward, clearing the puppies which had begun to whine about her, wanting to suckle. She trotted away and disappeared beyond the house of a neighbor.
            The puppies sat back on their rumps, whining. After a little while they lay down and went back to sleep, the black-spotted puppy on top.
            Baldo stood at the treshold and rubbed his sleep-heavy eyes with his fists. He must have been about ten yeras old, small for his age, but compactly built, and he stood straight on his bony legs. He wore one of his father’s discarded cotton undershirts.
            The boy descended the ladder, leaning heavily on the single bamboo railing that served as a banister. He sat on the lowest step of the ladder, yawning and rubbing his eyes one after the other. Bending down, he reached between his legs for the blak-spotted puppy. He held it to him, stroking its soft, warm body. He blew on its nose. The puppy stuck out a small red tongue,lapping the air. It whined eagerly. Baldo laughed—a low gurgle.
            He rubbed his face against that of the dog. He said softly. “My puppy. My puppy.” He said it many times. The puppy licked his ears, his cheeks. When it licked his mouth. Baldo straightened up, raised the puppy on a level with his eyes. “You are a foolish puppy” he said, laughing. “Foolish, foolish, foolish,” he said, rolling the puppy on his lap so that it howled.
            The four other  puppies awoke and came scrambling about Baldo’s legs. He put down the black-spotted puppy and ran to the narrow foot bridge of women split-bamboo spanning the roadside ditch. When it rained, water from the roadway flowed under the makeshift bridge, but it had not rained for a long time and the ground was dry and sandy. Baldo sat on the bridge, digging his bare feet into the sand, feeling the cool particles escaping between his toes. He whistled, a toneless whistle with a curious trilling to it produced by placing the tongue against the lower teeth and then curving it up and down. The whistle excited the puppies, they ran to the boy as fast theri unsteady legs could carry them, barking choppy little barks.

Saturday, February 26, 2011

Ang Mga Kagilagilalas na Pakikipagsapalaran ni Juan de la Cruz ni Jose F. Lacaba.

Ang Mga Kagilagilalas na Pakikipagsapalaran ni Juan de la Cruz ni Jose F. Lacaba.
1.
isang gabing madilim
puno ng pangambang sumakay sa bus
si Juan dela Cruz
pusturang-pustura
kahit walang laman ang bulsa
BAWAL MANIGARILYO BOSS
sabi ng kondoktora
at minura
si Juan dela Cruz

2.
pusturang-pustura
kahit walang laman ang bulsa
nilakad ni Juan dela Cruz
ang buong Avenida
BAWAL PUMARADA
sabi ng bakod
kaya napagod
si Juan dela Cruz

3.
nang abutin ng gutom
si Juan dela Cruz
tumapat sa Ma Mon Luk
inamoy and mami, siopao, lumpia, pansit
hanggang mabusog
nagdaan sa Sine Dalisay
tinitigan ang litrato ni Chichay
PASSES NOT HONORED TODAY
sabi ng takilyera
tawa ng tawa

4.
dumalaw sa kongreso
si Juan dela Cruz
MAG-INGAT SA ASO
sabi ng deputado
nagtuloy sa Malakanyang
wala namang dalang kamanyang
KEEP OF THE GRASS
sabi ng hardinero
sabi ng sundalo
kay Juan dela Cruz

5.
nang dapuan ng...
si Juan dela Cruz
namasyal sa Culi-Culi
parang espadang bali-bali
YOUR CREDIT IS GOOD BUT WE NEED CASH
sabi ng bugaw
habang humihigop ng sabaw

6.
pusturang-pustura
kahit walang laman ang bulsa
naglibot sa Dewey
si Juan dela Cruz
PAN-AM BAYSIDE SAVOY THEY SATISFY
sabi ng neon
humikab ang dagat na parang leon
masarap sanang tumalon
BAWAL MAGTAPON NG BASURA
sabi ng alon

7.

bumalik sa quiapo
si Juan dela Cruz
at medyo kinabahan
pumasok sa simbahan
IN GOD WE TRUST
sabi ng obispo
ALL OTHERS PAY CASH
ang wala ng malunok
si Juan dela Cruz
dala-dala'y gulok
gula-gulanit ang damit
wala pa ring laman and bulsa
umakyat sa Arayat
ang namayat na
si Juan dela Cruz
WANTED DEAD OR ALIVE
sabi ng PC
ang walanghiyang kabataan
kung bakit sinulsulan
ang isang tahimik na mamamayan
katulad ni Juan dela Cruz

♥♥♥May Day Eve♥♥♥



May Day Eve
By Nick Joaquin
The old people had ordered that the dancing should stop at ten o’clock but it was almost midnight before the carriages came filing up the departing guests, while the girls who were staying were promptly herded upstairs to the bedrooms, the young men gathering around to wish them a good night and lamenting their ascent with mock signs and moaning, proclaiming themselves disconsolate but straightway going off to finish the punch and the brandy though they were quite drunk already and simply bursting with wild spirits, merriment, arrogance and audacity, for they were young bucks newly arrived from Europe; the ball had been in their honor; and they had waltzed and polka-ed and bragged and swaggered and flirted all night and where in no mood to sleep yet--no, caramba, not on this moist tropic eve! not on this mystic May eve! --with the night still young and so seductive that it was madness not to go out, not to go forth---and serenade the neighbors! cried one; and swim in the Pasid! cried another; and gather fireflies! cried a third—whereupon there arose a great clamor for coats and capes, for hats and canes, and they were a couple of street-lamps flickered and a last carriage rattled away upon the cobbles while the blind black houses muttered hush-hush, their tile roofs looming like sinister chessboards against a wile sky murky with clouds, save where an evil young moon prowled about in a corner or where a murderous wind whirled, whistling and whining, smelling now of the sea and now of the summer orchards and wafting unbearable childhood fragrances or ripe guavas to the young men trooping so uproariously down the street that the girls who were desiring upstairs in the bedrooms catered screaming to the windows, crowded giggling at the windows, but were soon sighing amorously over those young men bawling below; over those wicked young men and their handsome apparel, their proud flashing eyes, and their elegant mustaches so black and vivid in the moonlight that the girls were quite ravished with love, and began crying to one another how carefree were men but how awful to be a girl and what a horrid, horrid world it was, till old Anastasia plucked them off by the ear or the pigtail and chases them off to bed---while from up the street came the clackety-clack of the watchman’s boots on the cobble and the clang-clang of his lantern against his knee, and the mighty roll of his great voice booming through the night, "Guardia serno-o-o! A las doce han dado-o-o.
And it was May again, said the old Anastasia. It was the first day of May and witches were abroad in the night, she said--for it was a night of divination, and night of lovers, and those who cared might peer into a mirror and would there behold the face of whoever it was they were fated to marry, said the old Anastasia as she hobble about picking up the piled crinolines and folding up shawls and raking slippers in corner while the girls climbing into four great poster-beds that overwhelmed the room began shrieking with terror, scrambling over each other and imploring the old woman not to frighten them.
"Enough, enough, Anastasia! We want to sleep!"
"Go scare the boys instead, you old witch!"
"She is not a witch, she is a maga. She is a maga. She was born of Christmas Eve!"
"St. Anastasia, virgin and martyr."
"Huh? Impossible! She has conquered seven husbands! Are you a virgin, Anastasia?"
"No, but I am seven times a martyr because of you girls!"
"Let her prophesy, let her prophesy! Whom will I marry, old gypsy? Come, tell me."
"You may learn in a mirror if you are not afraid."
"I am not afraid, I will go," cried the young cousin Agueda, jumping up in bed.
"Girls, girls---we are making too much noise! My mother will hear and will come and pinch us all. Agueda, lie down! And you Anastasia, I command you to shut your mouth and go away!""Your mother told me to stay here all night, my grand lady!"
"And I will not lie down!" cried the rebellious Agueda, leaping to the floor. "Stay, old woman. Tell me what I have to do."
"Tell her! Tell her!" chimed the other girls.
The old woman dropped the clothes she had gathered and approached and fixed her eyes on the girl. "You must take a candle," she instructed, "and go into a room that is dark and that has a mirror in it and you must be alone in the room. Go up to the mirror and close your eyes and shy:
Mirror, mirror, show to me him whose woman I will be. If all goes right, just above your left shoulder will appear the face of the man you will marry." A silence. Then: "And hat if all does not go right?" asked Agueda. "Ah, then the Lord have mercy on you!" "Why." "Because you may see--the Devil!"
The girls screamed and clutched one another, shivering. "But what nonsense!" cried Agueda. "This is the year 1847. There are no devil anymore!" Nevertheless she had turned pale. "But where could I go, hugh? Yes, I know! Down to the sala. It has that big mirror and no one is there now." "No, Agueda, no! It is a mortal sin! You will see the devil!" "I do not care! I am not afraid! I will go!" "Oh, you wicked girl! Oh, you mad girl!" "If you do not come to bed, Agueda, I will call my mother." "And if you do I will tell her who came to visit you at the convent last March. Come, old woman---give me that candle. I go." "Oh girls---give me that candle, I go."
But Agueda had already slipped outside; was already tiptoeing across the hall; her feet bare and her dark hair falling down her shoulders and streaming in the wind as she fled down the stairs, the lighted candle sputtering in one hand while with the other she pulled up her white gown from her ankles. She paused breathless in the doorway to the sala and her heart failed her. She tried to imagine the room filled again with lights, laughter, whirling couples, and the jolly jerky music of the fiddlers. But, oh, it was a dark den, a weird cavern for the windows had been closed and the furniture stacked up against the walls. She crossed herself and stepped inside.
The mirror hung on the wall before her; a big antique mirror with a gold frame carved into leaves and flowers and mysterious curlicues. She saw herself approaching fearfully in it: a small while ghost that the darkness bodied forth---but not willingly, not completely, for her eyes and hair were so dark that the face approaching in the mirror seemed only a mask that floated forward; a bright mask with two holes gaping in it, blown forward by the white cloud of her gown. But when she stood before the mirror she lifted the candle level with her chin and the dead mask bloomed into her living face.
She closed her eyes and whispered the incantation. When she had finished such a terror took hold of her that she felt unable to move, unable to open her eyes and thought she would stand there forever, enchanted. But she heard a step behind her, and a smothered giggle, and instantly opened her eyes.
"And what did you see, Mama? Oh, what was it?" But Dona Agueda had forgotten the little girl on her lap: she was staring pass the curly head nestling at her breast and seeing herself in the big mirror hanging in the room. It was the same room and the same mirror out the face she now saw in it was an old face---a hard, bitter, vengeful face, framed in graying hair, and so sadly altered, so sadly different from that other face like a white mask, that fresh young face like a pure mask than she had brought before this mirror one wild May Day midnight years and years ago.... "But what was it Mama? Oh please go on! What did you see?" Dona Agueda looked down at her daughter but her face did not soften though her eyes filled with tears. "I saw the devil." she said bitterly. The child blanched. "The devil, Mama? Oh... Oh..." "Yes, my love. I opened my eyes and there in the mirror, smiling at me over my left shoulder, was the face of the devil." "Oh, my poor little Mama! And were you very frightened?" "You can imagine. And that is why good little girls do not look into mirrors except when their mothers tell them. You must stop this naughty habit, darling, of admiring yourself in every mirror you pass- or you may see something frightful some day." "But the devil, Mama---what did he look like?" "Well, let me see... he has curly hair and a scar on his cheek---" "Like the scar of Papa?" "Well, yes. But this of the devil was a scar of sin, while that of your Papa is a scar of honor. Or so he says." "Go on about the devil." "Well, he had mustaches." "Like those of Papa?" "Oh, no. Those of your Papa are dirty and graying and smell horribly of tobacco, while these of the devil were very black and elegant--oh, how elegant!" "And did he speak to you, Mama?" "Yes… Yes, he spoke to me," said Dona Agueda. And bowing her graying head; she wept.
"Charms like yours have no need for a candle, fair one," he had said, smiling at her in the mirror and stepping back to give her a low mocking bow. She had whirled around and glared at him and he had burst into laughter. "But I remember you!" he cried. "You are Agueda, whom I left a mere infant and came home to find a tremendous beauty, and I danced a waltz with you but you would not give me the polka." "Let me pass," she muttered fiercely, for he was barring the way. "But I want to dance the polka with you, fair one," he said. So they stood before the mirror; their panting breath the only sound in the dark room; the candle shining between them and flinging their shadows to the wall. And young Badoy Montiya (who had crept home very drunk to pass out quietly in bed) suddenly found himself cold sober and very much awake and ready for anything. His eyes sparkled and the scar on his face gleamed scarlet. "Let me pass!" she cried again, in a voice of fury, but he grasped her by the wrist. "No," he smiled. "Not until we have danced." "Go to the devil!" "What a temper has my serrana!" "I am not your serrana!" "Whose, then? Someone I know? Someone I have offended grievously? Because you treat me, you treat all my friends like your mortal enemies." "And why not?" she demanded, jerking her wrist away and flashing her teeth in his face. "Oh, how I detest you, you pompous young men! You go to Europe and you come back elegant lords and we poor girls are too tame to please you. We have no grace like the Parisiennes, we have no fire like the Sevillians, and we have no salt, no salt, no salt! Aie, how you weary me, how you bore me, you fastidious men!" "Come, come---how do you know about us?"
"I was not admiring myself, sir!" "You were admiring the moon perhaps?" "Oh!" she gasped, and burst into tears. The candle dropped from her hand and she covered her face and sobbed piteously. The candle had gone out and they stood in darkness, and young Badoy was conscience-stricken. "Oh, do not cry, little one!" Oh, please forgive me! Please do not cry! But what a brute I am! I was drunk, little one, I was drunk and knew not what I said." He groped and found her hand and touched it to his lips. She shuddered in her white gown. "Let me go," she moaned, and tugged feebly. "No. Say you forgive me first. Say you forgive me, Agueda." But instead she pulled his hand to her mouth and bit it - bit so sharply in the knuckles that he cried with pain and lashed cut with his other hand--lashed out and hit the air, for she was gone, she had fled, and he heard the rustling of her skirts up the stairs as he furiously sucked his bleeding fingers. Cruel thoughts raced through his head: he would go and tell his mother and make her turn the savage girl out of the house--or he would go himself to the girl’s room and drag her out of bed and slap, slap, slap her silly face! But at the same time he was thinking that they were all going to Antipolo in the morning and was already planning how he would maneuver himself into the same boat with her. Oh, he would have his revenge, he would make her pay, that little harlot! She should suffer for this, he thought greedily, licking his bleeding knuckles. But---Judas! He remembered her bare shoulders: gold in her candlelight and delicately furred. He saw the mobile insolence of her neck, and her taut breasts steady in the fluid gown. Son of a Turk, but she was quite enchanting! How could she think she had no fire or grace? And no salt? An arroba she had of it!
"... No lack of salt in the chrism At the moment of thy baptism!" He sang aloud in the dark room and suddenly realized that he had fallen madly in love with her. He ached intensely to see her again---at once! ---to touch her hands and her hair; to hear her harsh voice. He ran to the window and flung open the casements and the beauty of the night struck him back like a blow. It was May, it was summer, and he was young---young! ---and deliriously in love. Such a happiness welled up within him that the tears spurted from his eyes. But he did not forgive her--no! He would still make her pay, he would still have his revenge, he thought viciously, and kissed his wounded fingers. But what a night it had been! "I will never forge this night! he thought aloud in an awed voice, standing by the window in the dark room, the tears in his eyes and the wind in his hair and his bleeding knuckles pressed to his mouth.
But, alas, the heart forgets; the heart is distracted; and May time passes; summer lends; the storms break over the rot-tipe orchards and the heart grows old; while the hours, the days, the months, and the years pile up and pile up, till the mind becomes too crowded, too confused: dust gathers in it; cobwebs multiply; the walls darken and fall into ruin and decay; the memory perished...and there came a time when Don Badoy Montiya walked home through a May Day midnight without remembering, without even caring to remember; being merely concerned in feeling his way across the street with his cane; his eyes having grown quite dim and his legs uncertain--for he was old; he was over sixty; he was a very stopped and shivered old man with white hair and mustaches coming home from a secret meeting of conspirators; his mind still resounding with the speeches and his patriot heart still exultant as he picked his way up the steps to the front door and inside into the slumbering darkness of the house; wholly unconscious of the May night, till on his way down the hall, chancing to glance into the sala, he shuddered, he stopped, his blood ran cold-- for he had seen a face in the mirror there---a ghostly candlelight face with the eyes closed and the lips moving, a face that he suddenly felt he had been there before though it was a full minutes before the lost memory came flowing, came tiding back, so overflooding the actual moment and so swiftly washing away the piled hours and days and months and years that he was left suddenly young again; he was a gay young buck again, lately came from Europe; he had been dancing all night; he was very drunk; he s stepped in the doorway; he saw a face in the dark; he called out...and the lad standing before the mirror (for it was a lad in a night go jumped with fright and almost dropped his candle, but looking around and seeing the old man, laughed out with relief and came running.
"Oh Grandpa, how you frightened me. Don Badoy had turned very pale. "So it was you, you young bandit! And what is all this, hey? What are you doing down here at this hour?" "Nothing, Grandpa. I was only... I am only ..." "Yes, you are the great Señor only and how delighted I am to make your acquaintance, Señor Only! But if I break this cane on your head you maga wish you were someone else, Sir!" "It was just foolishness, Grandpa. They told me I would see my wife."
"Wife? What wife?" "Mine. The boys at school said I would see her if I looked in a mirror tonight and said: Mirror, mirror show to me her whose lover I will be.
Don Badoy cackled ruefully. He took the boy by the hair, pulled him along into the room, sat down on a chair, and drew the boy between his knees. "Now, put your cane down the floor, son, and let us talk this over. So you want your wife already, hey? You want to see her in advance, hey? But so you know that these are wicked games and that wicked boys who play them are in danger of seeing horrors?"
"Well, the boys did warn me I might see a witch instead."
"Exactly! A witch so horrible you may die of fright. And she will be witch you, she will torture you, she will eat
your heart and drink your blood!"
"Oh, come now Grandpa. This is 1890. There are no witches anymore."
"Oh-ho, my young Voltaire! And what if I tell you that I myself have seen a witch.
"You? Where?
"Right in this room land right in that mirror," said the old man, and his playful voice had turned savage.
"When, Grandpa?"
"Not so long ago. When I was a bit older than you. Oh, I was a vain fellow and though I was feeling very sick that night and merely wanted to lie down somewhere and die I could not pass that doorway of course without stopping to see in the mirror what I looked like when dying. But when I poked my head in what should I see in the mirror but...but..."
"The witch?"
"Exactly!"
"And then she bewitch you, Grandpa!"
"She bewitched me and she tortured me. l She ate my heart and drank my blood." said the old man bitterly.
"Oh, my poor little Grandpa! Why have you never told me! And she very horrible?
"Horrible? God, no--- she was the most beautiful creature I have ever seen! Her eyes were somewhat like yours but her hair was like black waters and her golden shoulders were bare. My God, she was enchanting! But I should have known---I should have known even then---the dark and fatal creature she was!"
A silence. Then: "What a horrid mirror this is, Grandpa," whispered the boy.
"What makes you slay that, hey?"
"Well, you saw this witch in it. And Mama once told me that Grandma once told her that Grandma once saw the devil in this mirror. Was it of the scare that Grandma died?"
Don Badoy started. For a moment he had forgotten that she was dead, that she had perished---the poor Agueda; that they were at peace at last, the two of them, her tired body at rest; her broken body set free at last from the brutal pranks of the earth---from the trap of a May night; from the snare of summer; from the terrible silver nets of the moon. She had been a mere heap of white hair and bones in the end: a whimpering withered consumptive, lashing out with her cruel tongue; her eye like live coals; her face like ashes... Now, nothing--- nothing save a name on a stone; save a stone in a graveyard---nothing! was left of the young girl who had flamed so vividly in a mirror one wild May Day midnight, long, long ago.
And remembering how she had sobbed so piteously; remembering how she had bitten his hand and fled and how he had sung aloud in the dark room and surprised his heart in the instant of falling in love: such a grief tore up his throat and eyes that he felt ashamed before the boy; pushed the boy away; stood up and looked out----looked out upon the medieval shadows of the foul street where a couple of street-lamps flickered and a last carriage was rattling away upon the cobbles, while the blind black houses muttered hush-hush, their tiled roofs looming like sinister chessboards against a wild sky murky with clouds, save where an evil old moon prowled about in a corner or where a murderous wind whirled, whistling and whining, smelling now of the sea and now of the summer orchards and wafting unbearable the window; the bowed old man sobbing so bitterly at the window; the tears streaming down his cheeks and the wind in his hair and one hand pressed to his mouth---while from up the street came the clackety-clack of the watchman’s boots on the cobbles, and the clang-clang of his lantern against his knee, and the mighty roll of his voice booming through the night:
"Guardia sereno-o-o! A las doce han dado-o-o!"